Josef Divín is a notable example of the Czech Republic’s young new generation of glassmakers. His exhibited works are brought to life by a heightened ability to translate both the visual and existential values of nature and atmospheric phenomena. Such values can be observed in a multitude of locations – from the Central Bohemian Uplands, to Brittany in France, to seashores overlooking the world’s oceans… But the manner in which such phenomena imprint themselves into the thoughts and consciousness of Divín is truly unique.
A metaphysical experiencing of landscapes, their horizons, hills, and also clouds, wind, rain; bubbling, flowing water, and the waves of the seas – all of these represent ephemeral moments. Often, observing these natural wonders manifests itself simply as a flash of heightened perception; indeed, such experiences were previously described by the acclaimed 20th century Czech painter Josef Šíma. For any artist, perceptions only gain a sense of permanence through their processing, translation and transformation into manifest visual forms – shapes, compositions, structures, shades, tones, colours, and the emphasising of a particular theme, idea or element…such as horizons of oceans. Such elements are fundamental in Divín’s work.
The artist’s interventions adapt flat, moulded, blown, painted, engraved, etched or cut glass. The creation of hand-made spatial objects often requires Divín to work molten blown glass (including preserving the head, or excess glass at the upper part of the blowpipe, which is normally cut off). This is followed by a heat phase of creating structures via the application of silver foil; after cooling, the final objects are fine-tuned, for example via custom cutting.
This unrestricted creative process, both in the creation of glass vessels, and in the working of flat fused glass, has yielded a number of melancholic glass compositions, radiating a variety of artistic meanings. Divín has given this collection of works the name Night Sceneries. The works serve as a kind of symbol, enabling Divin’s landscapes to offer a multitude of interpretations and connotations dependant on each observer.
And yet, despite such subjectivity, all observers can undoubtedly appreciate Josef Divín’s unique ability to visualise serenity, harmony, and profound existential experiences, coupled with a converse sense of potential tension – the proverbial “calm before the storm”, as also expertly encapsulated in Japanese paintings, woodcuttings and lacquerware. And there are other facets of Divín’s work which could also be described as oriental in nature: adroitness at working in a freestyle, exploratory manner, which yields surprising colour manifestations when light is passed through the artist’s glass works; and a refined sense for creating stylised, silvery decor, based on a heavily guided sense of chance. Contrasts also play a key role.
Ultimately, Divín’s expressive compositions, featuring rustic forms and structures, earthly metallic “wrappers”, and dynamic interplays of form and shape, serve as a testament to the artist’s arsenal of skills. As a result, Josef Divín’s artworks have been making waves not just in the Czech Republic, but around the world.
Bezhraniční kreativní proces v nádobách i v plochém stavovaném skle ústí do melancholických, obsahově mnohoznačných kompozic, které autor souhrnně nazval Krajinou noci. Umělecké dílo však funguje jako symbol, proto Divínovy krajiny mohou mít i mnoho jiných výkladů v konotaci s tím, kdo je vnímá.
Všichni bez rozdílu však v dílech Josefa Divína vidíme unikátní schopnost vizualizovat klid, harmonii, hluboký prožitek z existence jako takové, a na druhé straně tu cítíme i potenciální napětí: tenzi známou z „klidu před bouří“, jak ji dokážou v podobné emoci zpodobnit japonské malby, dřevořezy a vrstvené laky. Trochu orientální se jeví i Divínova dovednost pracovat s významem volné plochy, se zámlkou, překvapivým zjevením se barvy při průsvitu skla, vytříbeným smyslem pro stylizovaný stříbřitý dekor, který je založený na řízené náhodě. A také s kontrastem. Sem patří schopnost pointovat celé sdělení razantní kompozicí, rustikálností tvaru a struktur, zemitostí kovových rámů nebo struktur a brusu…
Jde o výjimečná díla, která jsou takto právem hodnocena i v zahraničí. Prof. PhDr. Sylva Petrová Kurátorka výstavy
