Glass is an amorphous material typical for its irregular crystalline structure. In fact, it is solidified liquid. Although the secret of its production has been known to the mankind for seven thousand years, its use as a purely artistic material, capable of capturing the artist’s inner self, is relatively new. It was only in the 20th century, when sculptors first reached for glass to create abstract glass sculptures. Czech glass artists were among the first in the world to erase the line between applied and fine arts. The Czech glass was and has remained innovative, bold, multifaceted, technologically advanced, and perfectly crafted. It is as surprising and variable as the structure of the raw material. For that very reason, it has had many admirers, collectors, followers and imitators worldwide.
Stanislav Libensky´s and Jaroslava Brychtová´s innovative abstract mould-melted glass sculptures as well as unique compositions by René Roubíček paved the way, in the 50s of the 20th century, to hundreds of artists (not only) in the Czech Republic. Central European artists are familiar with a myriad of artistic glassmaking techniques. Although the melted glass sculpture has retained the most prominent position, the Czech glass artists have shown their capacity to make full artistic use of special technology of all kinds, such as free-hand or mould-blown glass, cut glass, engraving, painting, fusing, and other technology.
In the today´s Czech Republic, we have the privilege of having four strong generations of glass artists. For our exhibition, we carefully selected six of them. You may ask which criteria we used… Although the six represent different generations and aesthetic feelings, they have one in common – their drive to gain deep knowledge of the material, which they shape confidently, yet humbly. Klára Horáčková makes impressive crystalline objects from fused glass, Ondřej Strnadel, Martin Janecký, and, least but not last, Martin Hlubuček, prefer kilnworked glass and each of them approaches this hand blown technique in his individual and specific way. Czech melted glass objects will always retain their artistic potential, which has repeatedly been confirmed by Zdeněk Lhotský and his innovative technology called Vitrucell. Petr Stanický combines glass with other materials while retaining the specific properties of this amazing material.
An exhibition is offering only a limited tour of the variety of contemporary Czech artists´ approach to glass, it is no intellectual plaything, but a message about the Czech art glass proactivity and openness. It is truly contemporary. And, since there is no equivalent in the world of the Czech complex system of secondary and university glass art education, we have the right to believe that it will remain so for long.
V České republice dnes působí čtyři početné generace sklářských umělců. Na naši výstavu jsme pečlivě vybrali šest z nich. Podle jakého klíče? Přestože jde o výtvarníky rozdílného věku a estetického cítění, spojuje je snaha po poznání struktury materiálu, s nímž sebevědomě, ale přesto s pokorou pracují. Klára Horáčková vytváří pomocí stavování skla působivé krystalické objekty, Ondřej Strnadel, Martin Janecký, a v neposlední řadě i Martin Hlubuček, se věnují hutnímu zpracování skla, ačkoli každý si našel svou specifickou cestu. Česká tavená plastika v sobě stále skrývá pozoruhodné výtvarné možnosti, což z hlediska materiálu jen dotvrzuje inovativní technologický postup Vitrucell Zdeňka Lhotského. Petr Stanický kombinuje sklo s jinými materiály, přesto sklu ponechává jeho specifické vlastnosti.
Výstava sice nabízí jen malou ukázku pestrosti přístupů, s nimiž dnes výtvarníci v České republice pracují se sklem, přesto není intelektuální hříčkou, ale zprávou o tom, že české umělecké sklo nežije z podstaty a není zahleděné samo do sebe. Právě naopak.
