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Past exhibition
25
7
2018
 – 
11
9
2018
The glass objects ZEVNITŘ and the ROTTENSCHMUCK jewellery as variations on a single element – a dialogue of two artists about the isotopes of material and form.
Izotopy

Both artists are fascinated by the ways in which glass is able to change its character via the creative application of a variety of techniques. In her collection of glass art objects known as ZEVNITŘ (Inside), Tydlitátová turns custom hand-blown glass shapes inside-out by applying raw glass items – which would normally not be visible – as a form of decorative effect. Meanwhile, in her KAZARI collection of containers, Bozděchová’s works represent a play on Egyptian-Art Noveau techniques of “combing”, in which decorations are applied separately to shaped glass as segments, with additional crafting helping to fully incorporate them into the final art object. Finally, their joint project, a jewellery collection known as ROTTENSCHMUCK, is intended as an exploration of the ambivalent relationship of Western civilisation towards the consumption of food.

Barbora Tydlitátová and Natálie Bozděchová represent the future generation of Czech glassmaking talent. For both, glass represents a material through which they express their respective unique perceptions and interpretations of the world around them. They are not afraid to experiment, or to take bold risks – albeit ones which are properly considered. They think long and hard about the artworks they seek to create, with as much effort put into measuring, planning and designing as the actual production of their final works. May they continue to flourish and prosper…

Barbora Tydlitátová

Barbora Tydlitátová

A glass artist (*1992) from Železný Brod. Sintering of glass waste turns shards into gems of the future – sustainable art.
More about the artist

Obě autorky fascinuje, jak sklo dokáže měnit svůj charakter užitím rozličných technologických postupů při jeho dekorování. Tydlitátová v kolekci objektů ZEVNITŘ obrací sklo naruby tím, že na z volné ruky foukané tvary aplikuje sklářské suroviny – to, co by mělo být skryté, je vystaveno na odiv jako efektní dekor. Bozděchová si zase v souboru nádob KAZARI pohrává s egyptsko-secesní technikou zčesávání, kdy je však dekorace na tvar aplikována zvlášť jako segment a dalším zpracováním se stává součástí objektu. Jejich společným projektem je pak kolekce šperků ROTTENSCHMUCK zabývající se tématem ambivalentního vztahu západní civilizace k potravinám.

Barbora Tydlitátová a Natálie Bozděchová patří k nejmladší generaci českých sklářských nadějí. Sklo je pro ně materiálem, jehož prostřednictvím chtějí vyprávět o svém vidění světa. Nebojí se experimentu, jsou odvážné, ale nikoliv zbrklé – o své práci přemýšlí, s nadsázkou dvakrát řežou, dvakrát měří. Nezbývá proto než držet palce, ať se jim dílo nadále daří.

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